Emin's monoprints are a well documented part of her creative output. These unique drawings represent a diaristic aspect and frequently depict events from the past for example, Poor Love , From The Week Of Hell '94 and Ripped Up , which relate to a traumatic experience after an abortion or other personal events as seen in Fuck You Eddy and Sad Shower in New York which are both part of the Tate's collection of Emin's art
Often they incorporate text as well as image, although some bear only text and others only image. The text appears as the artist's stream of consciousness voice. Some critics have compared Emin's text-only monoprints to ransom notes. The rapid, one-off technique involved in making monoprints is perfectly suited to immediate expression, as is Emin's scratchy and informal drawing style. Emin frequently misspells words, deliberately or due to the speed at which she did each drawing
Emin created a key series of monoprints in 1997 with the text Something's Wrong or There Must Be Something Terebley Wrong With Me written with spelling mistakes intact in large capital letters alongside "forlorn figures surrounded by space, their outlines fragile on the page. Some are complete bodies, others only female torsos, legs splayed and with odd, spidery flows gushing from their vaginas. They are all accompanied by the legend There's Something Wrong."
In 1997 her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with names, was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London. The same year, she gained considerable media exposure when she appeared drunk and swearing on a live Channel 4 TV discussion.
No comments:
Post a Comment